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A botanical garden or botanic garden [nb 1] is a garden dedicated to the collection, cultivation , preservation and display of a wide range of plants labelled with their botanical names. It may contain specialist plant collections such as cacti and other succulent plants , herb gardens , plants from particular parts of the world, and so on; there may be greenhouses , shadehouses , again with special collections such as tropical plants , alpine plants , or other exotic plants. Visitor services at a botanical garden might include tours, educational displays, art exhibitions , book rooms, open-air theatrical and musical performances, and other entertainment. Botanical gardens are often run by universities or other scientific research organizations, and often have associated herbaria and research programmes in plant taxonomy or some other aspect of botanical science.
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An omnibus of garden profiles is a popular format for many horticultural authors, and yet I find Under Western Skies: Visionary Gardens from the Rocky Mountains to the Pacific Coast especially engaging.
Author Jennifer Jewell brings broad and creative perspectives to what makes each place noteworthy. Although Jewell wrote the text, she gives first title page credit to Caitlin Atkinson, the photographer, an appropriate decision for a book as sumptuous as this one.
The gardens of the geographic range, from the Rocky Mountains to the Pacific Coast, have only infrequently been considered before, and the choice of subjects is quite remarkable. A handful are well-known, such as Heronswood, but even its story is quite different now under the ownership of the Port Gamble S'Klallam Tribe.
Most were new to me. While I can envision visiting some of the gardens that have public access, this is not a travel guide.
By profiling the place, the people, and the plants, each location is presented with a sense of its space in a bigger world. This is done in part by a brief description of the climate, geology, and human history of the indigenous peoples that once dwelt on the land. The photography, rarely showing close-ups, enhances the feeling of lightly defined borders.
These gardens, while often providing sanctuary, are not isolated from their surroundings or their past. I imagined Jonathan Drori's world tour starring 80 plants would be interesting to a plant nerd like myself. Inspired by Jules Verne's Around the World in 80 Days , Drori's second book follows on the well-received Around the World in 80 Trees , but with more flowers and herbaceous subjects. I was not disappointed. The book is fun and informative with a perfect mix of botany, history, and culture.
I was surprised to learn that the common Rhododendron native to Turkey, which is invading natural areas of Western Scotland, produces toxic nectar. The honeybees that evolved with this Rhododendron aren't harmed by the toxin.
However, the "mad honey" created from this nectar causes low blood pressure and general feelings of wooziness in humans who eat it. Drori reports that the delicious but dangerous mad honey was used as a bioweapon against pursuing Roman soldiers in 69 BCE by a fleeing Persian army.
Scotland gets Rhododendron because it is so invasive that it is taking over the countryside there. One unusual tree representing the USA is the Cook Island pine, frequently planted in California, especially on college campuses. Part of the fun of this book is anticipating which plants represent which countries. Germany has entries on barley and hops, while Australia has the endemic grass tree Xanthorrhoea , but also the opium poppy because it is the world's largest legal supplier to the pharmaceutical industry.
Most of the included plants make an economic or cultural contribution to humankind, such as sugar cane, henna, wormwood, or yerba mate. Others, such as sphagnum moss or saguaro cactus, anchor an ecosystem. A few plants are simply botanically remarkable, such as Welwitschia growing in the harsh Angolan desert.It survives by collecting moisture from fog and Charles Darwin described it as the "platypus of the plant world" because it exhibits traits from both cone-bearing and flowering plants.
Drori's writing style is clear and engaging. He teases us with just enough botanic and cultural highlights, and seldom writes more than two pages of text per entry. I would guess that most of these 80 plants could each have their own book filled with history, lore, and botany.
French illustrator Lucille Clerc really brings the entries alive with captivating color drawings of plant habit and flowers, but also little sketches of products made from the plants, such as thread on spools and a bottle of linseed oil for the entry on flax.
The illustrations for lotus were so expansive that they required a two-page spread without any text. In the Garden: Essays on Nature and Growing is a slim volume that covers a lot of ground. There are essays by well-known writers like Penelope Fitzgerald and Jamaica Kincaid, but American readers will likely be unfamiliar with most of the other contributors. Fitzgerald writes of a long life in gardens a childhood garden in Egypt with eucalyptus, lantana, and banyan; large gardens in Oxfordshire full of educational trial and error, and now a much smaller London garden.
Like several of the essayists, she reflects on the importance of having a green space during the pandemic in which to find solace. Several essays are by writers who are descendants of immigrants. His grandparents came to the industrial West Midlands of England from Jamaica in the s, where they faced racial prejudice on a personal and national scale.
Still, they derived great pleasure from having even this small patch of earth to nurture and remind them of the home and heritage they left behind. The communal experience of gardens is the subject of several writers, from a brief history of London's squares, to the conversion of an abandoned cricket pitch in East London into a thriving community garden where the plants are as diverse as the gardeners, growing what reminds them of their own roots in Bangladesh, the West Indies, and elsewhere.
Gardens are places where several of the essayists find common ground with their parents. Niellah Arboine and her mother spent many happy days wandering around Kew, but it is their time in the allotment plot that felt like paradise for the author as a child.
She abandoned these visits as a teenager, but later reconnected with green spaces and growing things through a gardening group for women of color. During the pandemic, she returned to the allotment with her mother after a long absence; it was the only place they could safely spend time together during lockdown. Another persistent thread in the essays is the therapeutic and restorative potential of gardens and gardening.
Singapore-born Zing Tsjeng's mother suffers from depression, but has always been an enthusiastic gardener, from tending orchids which she nourishes with steeped banana peels and lemongrass to the Japanese maple languishing in her daughter's garden which she restores to good health. Although her mother has returned to Singapore, she continues to send gardening advice to her daughter, who is gradually becoming more of a gardener.
Poet Victoria Adukwei Bulley's "What We Know, What We Grow at the End of the World" is philosophical and prompts thoughts of the garden as metaphor: "In a time during which it is necessary to ask what structures must be dismantled in order for all peoples to live freely and well, thoughts about what will need to be abolished come in tandem with those asking what we will need to learn to grow.
Fruit might be considered difficult because it's hard to grow, arduous to prepare, almost impossible to buy, or else fraught with emotional associations. Kate Lebo's talent lies in weaving her personal fascination with the various fruits, and a couple of non-fruits such as wheat and sugarcane--with her efforts to use it in some way.
Every chapter has at least one recipe. I'm most tempted to try making huckleberry pie, juniper bitters, pickled rhubarb, and whipped vanilla body cream. She explores historical uses, native habitat and growing requirements. However, the entries are not encyclopedic.
Instead, each entry is also an opportunity to remember and reflect on her personal relationships, her own and others' health challenges and the foods used to manage those challenges. While preparing for her grandfather's funeral she discovers an elderberry shrub covered in fruit in her parents' backyard. She also discovers a missing set of aunts. She includes a recipe for elderflower cordial and throughout the book the mystery of the missing aunts reveal a confounding secret in her own family.
In the chapter on dandelions, filed under F for "faceclock," an old common name for the fully developed pappus, we learn a little about folklore and childhood rituals of blowing seeds off the puffy seedheads. We also learn how Lebo would weed her dandelion-choked lawn when depression prevented her from doing anything else.
The recipe for faceclock greens, fennel sausage and barley soup is recommended for early spring preparation and sounds delicious. Nothing makes a librarian happier than to help a patron find answers to questions within the books we've spent years curating.
Even better is when that Spokane, Washington based patron writes a book filled with those answers and recalls the hours she spent researching in the Miller Library in the chapter on juniper berries. Kate Lebo's book of essays is compelling, sometimes humorous, and always insightful. Link to this review permalink Oh, La La! Ciscoe Morris is an expert gardener, eager to share his knowledge with those at all levels of gardening ability.
But this self-assessment from the introduction of his new book is also very accurate. He grew up in a large family of storytellers and that skill came first. Later, gardening became the framework for his tales. You can open the book anywhere and immediately be engaged, no matter the topic. Later, you'll realize how much you learned. There are three main settings: his home garden, the Seattle University campus where he worked for many years, and the many locations from his travels.
While the plants take center stage, the interactions of the gardener with other people and with animals — especially beloved dogs — are the memorable highlights. I have several favorite stories. One of the longer chapters lays out the many — usually unsuccessful — ways to control moles, concluding, "if nothing else works, you can learn to live with moles.
It belongs in Colorado, safe from the spruce aphids that devastate this species in our mild, maritime climate. Ciscoe promises this is not his last book.
This is so much more than a book about mushrooms, the showy fruiting bodies that tend to dominate our attention to the fungal world. Merlin Sheldrake, son of biologist Rupert Sheldrake, holds a Ph. The book should appeal to scientist and layperson alike, as the author excels at communicating complex concepts in lucid and literary prose, while retaining a sense of humor, wonder, and above all, hope.
What role does hope play? Reading the book at this time of pandemic and social inequity, the notions of mutualism, symbiosis, and involution involution—distinct from evolution's focus on competition--attends to patterns and strategies of cooperation ramify beyond the realm of mycelial networks, their implications readily extendable to human interaction.
Sheldrake wholeheartedly embraces imagination and creativity in the realm of scientific research. He does not shy away from describing fungal 'communication,' and the ability of organisms that do not possess brains to make 'decisions. Biologist Robin Wall Kimmerer points out that the Potawatomi language "is rich in verbs that attribute aliveness to the more-than-human-world," while English offers no alternative way to talk about other living organisms without reducing them to an inanimate 'it.
Why should the stories and metaphors we use to make sense of the world—our investigative tools—be so? The book calls attention to the groundbreaking research of scientists, many of them women Suzanne Simard's work on carbon transfer between plants; Katie Field on mycorrhizal solutions to agricultural problems; Lynne Boddy on mycelial networks; Lynn Margulis's endosymbiotic theory once dismissed as "evolutionary speculation".
Sheldrake describes his meetings with Pacific Northwest innovator and fungal theorist Paul Stamets who has recently been working on fungal antiviral compounds , and mycoenthusiasts and entrepreneurs like Peter McCoy founder of Radical Mycology, a group that promotes citizen scientist education on things fungal, such as mycoremediation and mycofiltration.
Farther afield, in New York, the versatility of fungi is being harnessed to make biodegradable packing and building materials and furnishings as alternatives to plastic. Imagine ordering a grow-your-own-lampshade kit, or sitting on a fungal stool! Each chapter presents surprising observations that may dismantle and rearrange the reader's preconceptions.
We humans tend to think of ourselves as discrete, separate individuals, but each of us is actually an ecosystem "composed of—and decomposed by—an ecology of microbes" that make it possible for us to function to digest our food and reap nutrients from it, for example.
We are not unique in this. Symbiosis is widespread. An example that reveals the decision-making abilities of organisms without brains is an experiment done in Japan.Scientists set slime mold in petri dishes that replicated the layout of Greater Tokyo, with obstacles represented by bright light. The path the slime mold took was a close match for Tokyo's rail system.
Mycelial networks, too, can function in a brain-like way, responding to electrical, chemical, or other sensory impulses to communicate about surrounding conditions, directing growth accordingly. Why should truffles the subterranean fruiting bodies of certain kinds of mycorrhizal fungi attract humans and other animals with their smell?
Harris farm mandarins
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National Gardening Association, 71 million households reported Agricultural and Natural Resources Curricula Project, stated that many faculty.
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An omnibus of garden profiles is a popular format for many horticultural authors, and yet I find Under Western Skies: Visionary Gardens from the Rocky Mountains to the Pacific Coast especially engaging. Author Jennifer Jewell brings broad and creative perspectives to what makes each place noteworthy. Although Jewell wrote the text, she gives first title page credit to Caitlin Atkinson, the photographer, an appropriate decision for a book as sumptuous as this one. The gardens of the geographic range, from the Rocky Mountains to the Pacific Coast, have only infrequently been considered before, and the choice of subjects is quite remarkable.
I visited the late J.
Members of the Order of British Columbia: M–O
Browse honourees by last name, letters M through O. Bios reflect achievements at time of appointment. Anne Macdonald contributed to a wide range of community endeavours. Her career of public service epitomized the important role of the community volunteer and the difference a dedicated and determined individual can make. Macdonald's accomplishments include the establishment of Presentation House Arts Centre in North Vancouver, one of the finest community arts centres in the Province. She was also responsible for the preservation of St.
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The "New Royal Horticultural Society Dictionary of Gardening" () points out that among the various kinds of organisations now known as botanical gardens.
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There will always be something new to learn whilst you grow your career with us! From the world famous to the walled kitchen gardens, 11 million people visit our green spaces every year. Our plants are as much a part of our historic collections as the paintings in the houses we look after. This could mean finding the best ways of presenting plants, safeguarding habitats or growing gorgeous ingredients to be used in our kitchens, and lots more.
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Polis religion has become the dominant model for the description of ritual activity in ancient Greek communities. Indeed, scholars have invoked polis religion to try to resolve the much-debated question of the definition of magic vs.
Florence gardens az
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On garden leave: The best horticultural holidays
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